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Titre : | Civilizations: Culture, Ambition, and the Transformation of Nature |
Auteurs : | Felipe Fernandez-Armesto |
Type de document : | document électronique |
Editeur : | [S.l.] : Free Press, 2001 |
ISBN/ISSN/EAN : | 743202481 |
Résumé : |
In *Civilizations,* Felipe Fernández-Armesto once again proves himself a brilliantly original historian, capable of large-minded and comprehensive works; here he redefines the subject that has fascinated historians from Thucydides to Gibbon to Spengler to Fernand Braudel: the nature of civilization. To Fernández-Armesto, a civilization is "civilized in direct proportion to its distance, its difference from the unmodified natural environment"...by its taming and warping of climate, geography, and ecology. The same impersonal forces that put an ocean between Africa and India, a river delta in Mesopotamia, or a 2,000-mile-long mountain range in South America have created the mold from which humanity has fashioned its own wildly differing cultures. In a grand tradition that is certain to evoke comparisons to the great historical taxonomies, each chapter of *Civilizations* connects the world of the ecologist and geographer to a panorama of cultural history. In *Civilizations,* the medieval poem *Sir Gawain and the Green Knight* is not merely a Christian allegory, but a testament to the thousand-year-long deforestation of the trees that once covered 90 percent of the European mainland. The Indian Ocean has served as the world's greatest trading highway for millennia not merely because of cultural imperatives, but because the regular monsoon winds blow one way in the summer and the other in the winter. In the words of the author, "Unlike previous attempts to write the comparative history of civilizations, it is arranged environment by environment, rather than period by period, or society by society." Thus, seventeen distinct habitats serve as jumping-off points for a series of brilliant set-piece comparisons; thus, tundra civilizations from Ice Age Europe are linked with the Inuit of the Pacific Northwest; and the Mississippi mound-builders and the deforesters of eleventh-century Europe are both understood as civilizations built on woodlands. Here, of course, are the familiar riverine civilizations of Mesopotamia and China, of the Indus and the Nile; but also highland civilizations from the Inca to New Guinea; island cultures from Minoan Crete to Polynesia to Renaissance Venice; maritime civilizations of the Indian Ocean and South China Sea...even the Bushmen of Southern Africa are seen through a lens provided by the desert civilizations of Chaco Canyon. More, here are fascinating stories, brilliantly told -- of the voyages of Chinese admiral Chen Ho and Portuguese commodore Vasco da Gama, of the Great Khan and the Great Zimbabwe. Here are Hesiod's tract on maritime trade in the early Aegean and the most up-to-date genetics of seed crops. Erudite, wide-ranging, a work of dazzling scholarship written with extraordinary flair, *Civilizations* is a remarkable achievement...a tour de force by a brilliant scholar. ### Amazon.com Review "Civilization" is a tricky term, one that means many things to many people. For some, it denotes great buildings, canals, codes of law; for others, it offers a contrast between one group and another, with the advantage always going to the more "civilized" bunch against the "barbaric," "savage," or "primitive." All such distinctions, writes Oxford University historian Felipe Fernández-Armesto, are arbitrary and laden with subjective value; they speak to unscientific notions of progress, to hidden agendas. What matters, he continues, is the extent to which a culture has developed means to separate itself from nature: "Civilization makes its own habitat. It is civilized in direct proportion to its distance, its difference from the unmodified natural environment." A culture such as the ancient Han Chinese, the medieval highland Maya, or the Renaissance Venetian, then, is highly civilized inasmuch as its members dammed and diverted rivers, drained lakes, stripped forests, and built monumental structures to celebrate their achievements; people content or resigned to "live off the product and inhabit the spaces nature gives them" are markedly less so by virtue of that accommodation. No culture, Fernández-Armesto writes, is inherently exempt from becoming civilized; nor, he adds, does "civilized" equate to "good." In exploring history as a branch of historical ecology, he sometimes abandons his thesis, intriguing and provocative as it is, to engage in a wide-ranging survey of the world past reminiscent of (but much better-written than) Toynbee and Durant, touching on the ancient Greeks here, the herding peoples of the African savanna and Central Asia there, the Moundbuilders of prehistoric North America and the hunting peoples of the Arctic there. Unlike many standard textbooks, his narrative manages to offer something new wherever he turns. Allusive and learned, his book repays close reading--and should inspire plenty of argument along the way. *-- Gregory McNamee* ### From Publishers Weekly Enthusiastic readers of popular history have come to expect the author of Millennium and Truth: A History and Guide for the Perplexed to deliver a read filled with wonders, important insights, wit and outrageous opinion. In this marvelous new work, Fern ndez-Armesto, a member of the Modern History Faculty at Oxford, starts with a simple premise: civilization is not evidenced by a formal political structure, aesthetics, ethical principles or religion, but rather by a culture's attempt to refashion its environment. His overview of the world's civilizations (arranged by habitat desert, tundra, etc. rather than by more traditional categories such as chronology or technological aptitude) admits no progress, and, in fact, alleges that to believe otherwise is a dangerous business that breeds complacency in the face of moral perils. The vivid writing is equal to the scope of the author's ambition, to catalogue most, if not all, of the civilizations the world has seen. So infectious is Fern ndez-Armesto's passion for his subject that no exotic person (Khmer King Suryavarman II) or place (the Inca retreat of Quispaguanca) no matter how remote seems superfluous to the text. Scattered within the fact-filled portraits are numerous opinions on topics large and small, opinions that mark Fern ndez-Armesto, if not a contrarian, a formidable iconoclast: civilization did not "originate" in the "alluvial soils" of Mesopotamia, the idea of Proto-Indo-European language developing in isolation is "an obvious fantasy" and "most" accounts of history include "too much hot air and not enough wind." But, despite a chilling evaluation of "western civilization" (for which he claims affection) and its global influence, he concludes on a pragmatic, almost optimistic note, resolving that "there is no remedy except to go on trying." |